The wallflower sits by the window, hair damp from her early morning shower, face void of makeup showing the blemishes, her glasses reflecting the grey day outside. Her skin is pale as she removes her jacket revealing a short sleeve top. She has her back turned to the animated world in the café, preferring her own company, or is it because she has no one to be the company she craves for.
Her face is a blank canvas that could be transformed into a vision of beauty, but she keeps her eyes downcast, reading a magazine as she waits for the mermaid to bring her ordered breakfast.
With delicate small movements, her spoon scoops the porridge, and she pauses to blow its heat away with lips full and pale. She seems insignificant in the big scheme of things, but in Aubergine’s world, she is an important player, bringing life to the mermaid’s world.
As she looks out into the street, her gaze concentrates into a deep void of nothingness. I wonder if she’s waiting for him, whether he’s changed his mind and will come back to her and to a love that is young and pure and hopeful. A little sparrow hops about on the floor, pecking at a breakfast of breadcrumbs left behind by patrons.
Suddenly he walks by, his arm holding another; the sight of them is a sharp, hard slap to her face, which leaves her cheek red and stinging. The sparrow collapses at her feet, its body in death is still warm as her tears splash upon its silent breast.
The mermaids are wearing strings of coral today, adorned around their ethereal necks. One is wearing a broach, decorated with precious stones found in a treasure chest resting deep under the waves, in the frame of skeleton belonging to a sailing ship, lured to its watery grave by the means of a lyrical death.
The broach would have belonged to someone’s wife, daughter, sister, mother, but the mermaid is not concerned for what has been lost, she is incapable to feel human loss, instead, she lures and captures– it is in her nature to do so.
There is salt on every table apart from mine, a symbol of their tears.
The wallflower picks up her jacket and leaves, her porridge hardly touched. The mermaid clears away the breakfast plates and then comes back to pick up the dead sparrow. Gently, she breathes life back into its lifeless body. And in a surreal world, I watch as it hops about under the tables, resuming its breakfast round.
Years on it still breaks my heart to have you gone, waking in the night holding my son, feeding him my life force when it should be you. I held you in death, and like the sparrow, I tried to breath life into your silent heart.
I failed.
And as my tears fall silently onto my keyboard, as people continue to eat their toast and sip their coffees, a mermaid silently offers me a tissue, and spills salt on my table.
Her face is a blank canvas that could be transformed into a vision of beauty, but she keeps her eyes downcast, reading a magazine as she waits for the mermaid to bring her ordered breakfast.
With delicate small movements, her spoon scoops the porridge, and she pauses to blow its heat away with lips full and pale. She seems insignificant in the big scheme of things, but in Aubergine’s world, she is an important player, bringing life to the mermaid’s world.
As she looks out into the street, her gaze concentrates into a deep void of nothingness. I wonder if she’s waiting for him, whether he’s changed his mind and will come back to her and to a love that is young and pure and hopeful. A little sparrow hops about on the floor, pecking at a breakfast of breadcrumbs left behind by patrons.
Suddenly he walks by, his arm holding another; the sight of them is a sharp, hard slap to her face, which leaves her cheek red and stinging. The sparrow collapses at her feet, its body in death is still warm as her tears splash upon its silent breast.
The mermaids are wearing strings of coral today, adorned around their ethereal necks. One is wearing a broach, decorated with precious stones found in a treasure chest resting deep under the waves, in the frame of skeleton belonging to a sailing ship, lured to its watery grave by the means of a lyrical death.
The broach would have belonged to someone’s wife, daughter, sister, mother, but the mermaid is not concerned for what has been lost, she is incapable to feel human loss, instead, she lures and captures– it is in her nature to do so.
There is salt on every table apart from mine, a symbol of their tears.
The wallflower picks up her jacket and leaves, her porridge hardly touched. The mermaid clears away the breakfast plates and then comes back to pick up the dead sparrow. Gently, she breathes life back into its lifeless body. And in a surreal world, I watch as it hops about under the tables, resuming its breakfast round.
Years on it still breaks my heart to have you gone, waking in the night holding my son, feeding him my life force when it should be you. I held you in death, and like the sparrow, I tried to breath life into your silent heart.
I failed.
And as my tears fall silently onto my keyboard, as people continue to eat their toast and sip their coffees, a mermaid silently offers me a tissue, and spills salt on my table.







